Selasa, 08 Oktober 2013

Dreams and dark imaginings are the theme of Goya's etching The Sleep of Reason Produces Monsters. There is a painting by Salvador Dalí that depicts this concept, titled Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening (1944). Rousseau's last painting was The Dream. Le Rêve ("The Dream") is a 1932 painting by Pablo Picasso.
In literature
Further information: Dream world (plot device)

Dream frames were frequently used in medieval allegory to justify the narrative; The Book of the Duchess[24] and The Vision Concerning Piers Plowman[25] are two such dream visions. Even before them, in antiquity, the same device had been used by Cicero and Lucian of Samosata.
The Cheshire Cat vanishes in Wonderland.

They have also featured in fantasy and speculative fiction since the 19th century. One of the best-known dream worlds is Wonderland from Lewis Carroll's Alice's Adventures in Wonderland, as well as Looking-Glass Land from its sequel, Through the Looking-Glass. Unlike many dream worlds, Carroll's logic is like that of actual dreams, with transitions and flexible causality.

Other fictional dream worlds include the Dreamlands of H. P. Lovecraft's Dream Cycle[26] and The Neverending Story's[27] world of Fantasia, which includes places like the Desert of Lost Dreams, the Sea of Possibilities and the Swamps of Sadness. Dreamworlds, shared hallucinations and other alternate realities feature in a number of works by Phillip K. Dick, such as The Three Stigmata of Palmer Eldritch and Ubik. Similar themes were explored by Jorge Luis Borges, for instance in The Circular Ruins.
In popular culture

Modern popular culture often conceives of dreams, like Freud, as expressions of the dreamer's deepest fears and desires.[28] In films such as Spellbound (1945), The Manchurian Candidate (1962), Field of Dreams (1989), and Inception (2010), the protagonists must extract vital clues from surreal dreams.[29]

Dreams and dark imaginings are the theme of Goya's etching The Sleep of Reason Produces Monsters. There is a painting by Salvador Dalí that depicts this concept, titled Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening (1944). Rousseau's last painting was The Dream. Le Rêve ("The Dream") is a 1932 painting by Pablo Picasso.
In literature
Further information: Dream world (plot device)

Dream frames were frequently used in medieval allegory to justify the narrative; The Book of the Duchess[24] and The Vision Concerning Piers Plowman[25] are two such dream visions. Even before them, in antiquity, the same device had been used by Cicero and Lucian of Samosata.
The Cheshire Cat vanishes in Wonderland.

They have also featured in fantasy and speculative fiction since the 19th century. One of the best-known dream worlds is Wonderland from Lewis Carroll's Alice's Adventures in Wonderland, as well as Looking-Glass Land from its sequel, Through the Looking-Glass. Unlike many dream worlds, Carroll's logic is like that of actual dreams, with transitions and flexible causality.

Other fictional dream worlds include the Dreamlands of H. P. Lovecraft's Dream Cycle[26] and The Neverending Story's[27] world of Fantasia, which includes places like the Desert of Lost Dreams, the Sea of Possibilities and the Swamps of Sadness. Dreamworlds, shared hallucinations and other alternate realities feature in a number of works by Phillip K. Dick, such as The Three Stigmata of Palmer Eldritch and Ubik. Similar themes were explored by Jorge Luis Borges, for instance in The Circular Ruins.
In popular culture

Modern popular culture often conceives of dreams, like Freud, as expressions of the dreamer's deepest fears and desires.[28] In films such as Spellbound (1945), The Manchurian Candidate (1962), Field of Dreams (1989), and Inception (2010), the protagonists must extract vital clues from surreal dreams.[29]

Some philosophers have concluded that what we think of as the "real world" could be or is an illusion (an idea known as the skeptical hypothesis about ontology).

The first recorded mention of the idea was by Zhuangzi, and it is also discussed in Hinduism, which makes extensive use of the argument in its writings.[20] It was formally introduced to Western philosophy by Descartes in the 17th century in his Meditations on First Philosophy. Stimulus, usually an auditory one, becomes a part of a dream, eventually then awakening the dreamer.
Postclassical and medieval history

Some Indigenous American tribes and Mexican civilizations believe that dreams are a way of visiting and having contact with their ancestors.[21] Some Native American tribes used vision quests as a rite of passage, fasting and praying until an anticipated guiding dream was received, to be shared with the rest of the tribe upon their return.[22][23]

The Middle Ages brought a harsh interpretation of dreams. They were seen as evil, and the images as temptations from the devil. Many believed that during sleep, the devil could fill the human mind with corrupting and harmful thoughts. Martin Luther, founder of Protestantism, believed dreams were the work of the Devil. However, Catholics such as St. Augustine and St. Jerome claimed that the direction of their life were heavily influenced by their dreams.
In art

Some philosophers have concluded that what we think of as the "real world" could be or is an illusion (an idea known as the skeptical hypothesis about ontology).

The first recorded mention of the idea was by Zhuangzi, and it is also discussed in Hinduism, which makes extensive use of the argument in its writings.[20] It was formally introduced to Western philosophy by Descartes in the 17th century in his Meditations on First Philosophy. Stimulus, usually an auditory one, becomes a part of a dream, eventually then awakening the dreamer.
Postclassical and medieval history

Some Indigenous American tribes and Mexican civilizations believe that dreams are a way of visiting and having contact with their ancestors.[21] Some Native American tribes used vision quests as a rite of passage, fasting and praying until an anticipated guiding dream was received, to be shared with the rest of the tribe upon their return.[22][23]

The Middle Ages brought a harsh interpretation of dreams. They were seen as evil, and the images as temptations from the devil. Many believed that during sleep, the devil could fill the human mind with corrupting and harmful thoughts. Martin Luther, founder of Protestantism, believed dreams were the work of the Devil. However, Catholics such as St. Augustine and St. Jerome claimed that the direction of their life were heavily influenced by their dreams.
In art

In Judaism, dreams are considered part of the experience of the world that can be interpreted and that lessons can be garnered from. It is discussed in the Talmud, Tractate Berachot, Second Part.[citation needed]

The ancient Hebrews connected their dreams heavily with their religion, though the Hebrews were monotheistic and believed that dreams were the voice of one god alone. Hebrews also differentiated between good dreams (from God) and bad dreams (from evil spirits). The Hebrews, like many other ancient cultures, incubated dreams in order to receive divine revelation. For example, the Hebrew prophet Samuel, would "lie down and sleep in the temple at Shiloh before the Ark and receive the word of the Lord." Most of the dreams in the Bible are in the Book of Genesis.[17]

Christians mostly shared their beliefs with the Hebrews and thought that dreams were of the supernatural element because the Old Testament had frequent stories of dreams with divine inspiration. The most famous of these dream stories was Jacob's dream that stretched from Earth to Heaven. Many Christian men preached that God talked to his people through their dreams.

Iain R. Edgar has researched the role of dreams in Islam.[18] He has argued that dreams play an important role in the history of Islam and the lives of Muslims. Dream interpretation, is the only way that Muslims can receive revelations from God after the death of the last Prophet Mohammed.[19]
Dreams and philosophical realism
Main article: Dream argument

In Judaism, dreams are considered part of the experience of the world that can be interpreted and that lessons can be garnered from. It is discussed in the Talmud, Tractate Berachot, Second Part.[citation needed]

The ancient Hebrews connected their dreams heavily with their religion, though the Hebrews were monotheistic and believed that dreams were the voice of one god alone. Hebrews also differentiated between good dreams (from God) and bad dreams (from evil spirits). The Hebrews, like many other ancient cultures, incubated dreams in order to receive divine revelation. For example, the Hebrew prophet Samuel, would "lie down and sleep in the temple at Shiloh before the Ark and receive the word of the Lord." Most of the dreams in the Bible are in the Book of Genesis.[17]

Christians mostly shared their beliefs with the Hebrews and thought that dreams were of the supernatural element because the Old Testament had frequent stories of dreams with divine inspiration. The most famous of these dream stories was Jacob's dream that stretched from Earth to Heaven. Many Christian men preached that God talked to his people through their dreams.

Iain R. Edgar has researched the role of dreams in Islam.[18] He has argued that dreams play an important role in the history of Islam and the lives of Muslims. Dream interpretation, is the only way that Muslims can receive revelations from God after the death of the last Prophet Mohammed.[19]
Dreams and philosophical realism
Main article: Dream argument